// JavaScript Document

var ic = new Array();
var h = new Array();
var d = new Array();
var p = new Array();
var eh = new Array();
var cat = new Array();
var c = new Array();
var detail = new Array();
var sp = new Array();
var sold = new Array();
var catname = new Array(
	"All", 
	"Mirrors", //1
	"Seat Furniture", //2
	"Tables",//3
	"Desks and Bookcases",//4
	"Paintings and Sculpture",//5
	"Cabinets and Chests",//6
	"Miscellaneous"//7
);
var i; //stock number counter

var fin = new Array(25,26,24,5,8,9,17,16,18,19);
function MClick(n) { 
	window.open('StockDetail.html?StockItem=' + n,'_self');
}

function CS_Full_Click(inum,isub) { window.open('images/cs_full/' + gen_im_name(inum,isub),'_blank','menubar=no, status=no, toolbar=no');}

function FClick(inum) { window.open('images/f_detail/Untitled' + inum + '.jpg','_blank','menubar=no, status=no, toolbar=no');}

function Asc(String){ return String.charCodeAt(0); }

function Chr(AsciiNum){ return String.fromCharCode(AsciiNum); }

function gen_im_name(inum,isub)
{
	var fn;
	fn = Asc("a");
	return (inum + Chr(fn + isub - 1) + '.jpg');
}

//Stock page 1 is called stock.html others stock2.html and so on , wraps in ""
function StockPageName(sn)
{
	sn=sn.valueOf();
	if(sn > 1)
		return('"Stock' + sn + '.html"' );
	else
		return('"Stock.html"' );
}

function StockNav()
{
var cs ; // Current stock page number
var sq="'";
var TipText;
cs = document.title.substring(document.title.length-2).valueOf();
//document.write(cs + " ==== " + LastStock);
document.write('<table width="100%" border="0"><tr><td width="10%">');
TipText="View Previous Page";

if(cs > 1)
{	
	document.write('<a href=' + StockPageName(cs - 1));
	document.write(' onmouseout="MM_swapImgRestore();UnTip();" onmouseover="MM_swapImage(' + sq + 'Image161' + sq + ',' + sq + sq + ',' + sq + 'images/bt_prev_dn.png' + sq + ',1); Tip(' + sq + TipText + sq + ');" >');
	document.write('<img src="images/bt_prev.png" alt="'+ TipText +'" name="Image161" width="60" height="23" border="0" id="Image161" /></a>');
}
else
	document.write('&nbsp;');


document.write( '</td><td width="80%" align="center">');
for(n=1;n<=StockPageCount;n++)
{
	var pnwidth;
	if (n < 10)
		pnwidth = "6";
	else
		pnwidth = "16";
		
	TipText="View Page " + n;
	
//	document.write('');
	if(n != cs)
	{
		document.write('<a href=' + StockPageName(n) + ' onmouseout="MM_swapImgRestore();UnTip();" onmouseover="MM_swapImage(' + sq + 'Image' + (80 - 0 + n) + sq + ',' + sq + sq + ',' );
		document.write(sq + 'images/' + n + '_dn.png' + sq + ',1);Tip(' + sq + TipText + sq +');" ><img src="images/' 	+ n + '.png" " alt="'+ TipText +'" name="Image' + (80 - 0 + n) + '"'); 
		document.write('width="' + pnwidth + '" ' );
		document.write('height="23" border="0" id="Image' + (80 - 0 + n) + '" /> </a> &nbsp; ');																											
	}
	else
	{
		document.write('<img src="images/' 	+ n + '_dn.png" name="Image' + (80 - 0 + n) + '"'); 
		document.write('width="' + pnwidth + '" ' );
		document.write('height="23" border="0" id="Image' + (80 - 0 + n) + '" /> &nbsp; ');																											
	}
}
document.write(' </td><td width="10%" align="right">');
//<a href="Stock2.html" onmouseout="MM_swapImgRestore()" onmouseover="MM_swapImage('Image17','','images/bt_next_dn.png',1)"><img src="images/bt_next.png" alt="Next" name="Image17" width="36" height="23" border="0" id="Image17" /></a>
 if(cs < StockPageCount)
{	
	TipText="View Next Page";
	document.write('<a href=' + StockPageName(cs-0+1));
	document.write(' onmouseout="MM_swapImgRestore();UnTip();" onmouseover="MM_swapImage(' + sq + 'Image17' + sq + ',' + sq + sq + ',' + sq + 'images/bt_next_dn.png' + sq + ',1); Tip(' + sq + TipText + sq + ');" >');
	document.write('<img src="images/bt_next.png" alt="'+ TipText +'" name="Image17" width="36" height="23" border="0" id="Image17" /></a>');
}
else
	document.write('&nbsp;');
    
document.write('</td></tr></table><p></p>');
}
//end function StockNav()

/* Explanation of arrays below :
ic[] Image count
h[] Description
d[] Dimensions
eh[] Edward's quote
c[] Category number
sp[] Selling Price
*/


ic[1] = 5;
h[1] ="An extraordinary George IV solid Welsh slate serving table of Grecian inspiration having its original simulated red porphyry decoration, c 1825";
d[1] = "w: 96½” (245cm), d: 28” (71cm), h: 57¼” (145.5cm)";
eh[1] = "Incredibly powerful and quite remarkable that the red porphyry decoration has survived. <br />Every part of this table is made from slate. <br />I would have thought that this table is probably unique.";
c[1] = 3;
sp[1] = "";


ic[4] = 1;
h[4] ="A pair of 19th century ash “Glastonbury” slat-seated elbow chairs, c 1830";
d[4] = "w: 26” (66cm), h: 35½” (90cm)"; 
eh[4] = "These chairs have a wonderful golden colour and a sophisticated yet rustic appeal.";
c[4] = 2;
sp[4] = "";

ic[5] = 4;
h[5] ="A suite of George III carved mahogany parcel-gilt cabinets attributed to Henry Holland, c 1795 <br />Comprising a near pair of side cabinets and a large breakfront side cabinet having scroll ended superstructures, the tops of statuary marble.";
d[5] = "w: 227” (576cm), d: 25½” (65cm)<br /><br />Side cabinet 1: w: 78” (198cm), d: 18¾” (47.5cm), h: 47¼” (120cm)<br />Side cabinet 2: w: 74¾” (190cm), d: 18¾” (47.5cm), h: 47¼” (120cm) "; 
p[5] = "Castle Archdale Enniskillen";
eh[5] = "Although requiring rather a large room these cabinets, the grandest of the grand and at the forefront of the English interpretation of French Directoire, would look wonderful stacked with precious objects in a massive neo-classical space.";
c[5] = 6;
sp[5] = "";

ic[7] = 2;
h[7] ="A George II mahogany cabriole leg box-seat corner chair the drop-in seat having its original dilapidated leather cover, c 1730";
d[7] = "h: 34¼” (87cm)"; 
eh[7] = "This chair has a wonderfully dry surface. It is also beautifully designed.";
c[7] = 2;
sp[7] = "";

ic[11] = 3;
h[11] ="A pair of 19th century terrestrial and celestial table globes on turned wooden stands";
p[11] = "LORING'S CELESTIAL GLOBE manufactured by Josiah Loring, Washington St, Boston 1841.<br />LORING'S TERRESTRIAL GLOBE manufactured by Gilmar Joslin. Boston 1860"
eh[11] = "These are in lovely sleepy condition, the stands being a wonderful golden colour.";
d[11] = "Both globes have height, width and depth of 18 inches (46cm)";
c[11] = 7;
sp[11] = "";

ic[14] =5;
h[14] ="An early George III set of tables. Comprising 2 drop leaf tables that can be linked together using the original eyes and hooks, c 1760";
eh[14] = "This is a rare survival of particularly small scale. I like the simplicity of the Chinese Chippendale corner brackets.";
d[14] = "l: 70¼” (178.5 cm) w: 41¾” (106cm) h: 27½” (70cm)";
c[14] = 3;
sp[14] = "";

ic[18] = 3;
h[18] ="A 19th century oak and pine Gothic centre table the underside incised with the initial LB";
d[18] = "w: 64½” (164cm), h: 31¾” (81cm)"; 
eh[18] = "Although probably a library table it would make a wonderful centre table for a hall. It is unusual to know not only the house for which a piece of furniture was made but also the maker and year of construction."
p[18] = "A pencil inscription underneath the cloth, reveals the table was made by Leneard Bagg in 1869 for Forde Abbey, Dorset."
c[18] = 3;
sp[18] = "";


ic[21] = 6;
h[21] ="An 18th century Dutch burr walnut veneered commode of sarcophagus form having finely carved box wood enrichments and feet, c 1740";
d[21] = "w: 42” (107cm)  d: 20½” (52cm), h: 31¼” (79.5cm)"; 
eh[21] = "The form of this rare commode is very close to the famous gilt cut gesso commode from Shobdon Court, Herefordshire, having the monogram of Viscount Bateman which is in the Victorian and Albert Museum. <br />Its powerful form would fit within a Palladian 18th century interior perfectly. Unlike many pieces of Dutch furniture it has not been repolished and has retained its wonderful patination and colour.<br />I think therefore that it is quite possible that it was imported into this country soon after it was made. ";
c[21] = 6;
sp[21] = "";

ic[23] = 2;
h[23] ="A massive George II solid walnut bureau bookcase having original escutcheons and handles, c 1740";
d[23] = "w: 52” (132cm), d: 23¾” (60cm), h: 109¾” (279cm)"; 
eh[23] = "This extraordinary bureau bookcase is constructed almost entirely from solid English walnut, even down to the backboards to the top section. I enjoy the way this piece just seems to go up and up."
c[23] = 4;
sp[23] = "";
/*24- 5 free*/

ic[26] = 1;
h[26] ="An early 18th century statuary marble bust of Diana by Michael Shee, on later plinth, c 1720";
d[26] = "Bust: w: 26” (66cm), h: 30½” (77.5cm), Plinth: w: 28¾” (73cm), d: 20½” (52cm), h: 41½” (105.5cm)";
eh[26] = "I find the baroque swirl of the drapery very pleasing.";
c[26] = 5;
sp[26] = ""; 
/*27 free*/


ic[28] = 1;
h[28] ="A large Regency carved mahogany daybed of Grecian form, c 1810";
d[28] = "d: 50½” (128cm) w: 94½” (240cm), max height: 48” (122cm), min height: 37” (94cm)"; 
c[28] = 2;
sp[28] = "";


ic[32] = 1;
h[32] ="A late 19th century Punjabi marriage cloth";
d[32] = "w: 85¼” (216.5cm), h: 56” (142cm) ";
eh[32] = "This cloth has such pretty colours.";
c[32] = 7;
sp[32] = "";

ic[35] = 2;
h[35] ="Windmills and Wightman, London. George II walnut veneered spring clock of unusually large size, the restored caddy top above quadrant frets to front and back having side frets, one incorporating a door and characteristic carved Baroque corner trusses above a swept base on bracket feet. <br />The 12” arch dial having pendulum regulation to the arch matted centre, mock pendulum and date aperture. <br />The movement having original verge escapement with flute engraving to the back plate, c 1735";
eh[35]= "Although Windmills produced many japanned table clocks of this massive size, it is rare to find one in veneered walnut.";
c[35] = 7;
sp[35] = "";


ic[44] = 3;
h[44] ="A Regency oak and burr oak work table in the manner of George Bullock, c 1815";
eh[44] = "Wonderful golden colour. I like the mock book bindings to either side of the cedar lined drawers.";
d[44] = "w: 21 in (53.5 cm), d: 15½ in (39.5 cm), h: 29¾ in (75.5 cm)";
c[44] = 3;
sp[44] = "";


ic[54] = 4;
h[54]="A monumental George II fiddle-back mahogany veneered commode in the manner of William Vile and John Cobb, the serpentine moulded top with boldly outset canted corners. <br />The cavetto moulding beneath incorporating a mahogany slide, above four graduated drawers all raised on bracket feet with shaped apron between, c 1750";
eh[54] = "This commode is part of a small group characterized by their bold outline, cavetto moulded slides, extravagant handles, shaped base aprons and similar construction to their backs, the cavetto moulding returning for several inches, as usually found on George II side tables. ";
d[54] = "w: 56½ in (143.5 cm), d: 26 in (66 cm), h: 33½ in (85 cm)";
c[54] = 6;
sp[54] = "";

ic[60] = 2;
h[60]="Benjamin Wilson, Leeds 1721 - 1788 London. Portrait of Sir George Saville, 8th Baronet (1720 - 1784) seated pointing to a map of Halifax. Oil on canvas in original neo-classical gilt frame. Sold together with its 18th century engraving.";
eh[60] = "Saville was educated at Queens College, Cambridge and was a Member of Parliament for Yorkshire, remaining in Parliament until 1783. Described by a contemporary as 'a pattern of excellence in a British senator. As a politician he was upright, disinterested and independent'.<br />Wilson's distinctive 'Rembrantesque' chiaroscuro style led many contemporaries to see him as a rival to the young Reynolds, though his known portraits only range up to 1769 when he gave up art in favour of scientific pursuits. <br />The present painting is amongst his most ambitious portraits, all of which are of prominent Yorkshire sitters, and which also include those of the Lords Mexborough and Rockingham.";
d[60] = "h: 104 in (264 cm), w: 68¾ in (174.5 cm) including frame.";
c[60] = 5;
sp[60] = "";


i=65;
ic[i] = 2;
h[i] ="A George III gros-point needlework and marquetry settee of asymmetric form. The original covers above square taper legs terminating in vase inlaid spade feet, c 1800";
c[i] = 2;
sp[i] = "";
d[i] = "w: 69 in (175 cm) h: 44 in (112 cm) d: 27 in (68.5 cm)";
eh[i] = "This eccentric, almost surreal settee has a curious collection of items stitched into the cover, a tea caddy, folded chess board, coaching horn, tablecloth and lady's hat.";



i=71;
ic[i] = 3;
h[i] ="A massive Regency plate warmer, veneered in plum pudding mahogany, ebony strung, the fall-front revealing a tin-lined interior, c 1815";
c[i] = 6;
sp[i] = "";
d[i] = "w: 42 in (107 cm) d: 29 in (74 cm) h: 27½ in (70 cm)";
eh[i] = "Although no longer absolutely necessary in the dining room, this is a great object in its own right";


i=73;
ic[i] = 3;
h[i] ="A late George II mahogany trunk, with unusual drop-front containing a tray and two short drawers, c 1750";
c[i] = 6;
sp[i] = "";
d[i] = "w: 52 in (132 cm) d: 26 in (66 cm) h: 30½ in (77.5 cm)";
eh[i] = "This has been made to be free standing, the back being of polished mahogany, the base mould and feet also returning";

i=76;
ic[i] = 1;
h[i] ="A pair of George III carved wood gilt pier mirrors of neo-classical form in the manner of John Linnell. The oval frames having stylized acanthus scroll brackets to the base and flambeau headed urns to the top.  Original mirror plates, c 1780";
c[i] = 1;
d[i] = "h: 64 in (164 cm), w:  33 in (84 cm)";
sp[i] = "";
eh[i] = "These mirrors bear many similarities to the designs of John Linnell (1729–96).  They are of high quality being all of carved wood.  A gilding analysis shows another layer beneath the existing 1830s scheme, having a typical boule of the 1770s and 80s.  The current high quality gilding was probably applied when heavily cast colzer lamps where crudely attached to the base of each mirror during the 19th century.  These have been removed, and the frames made good.";

i=77;
ic[i] = 2;
h[i] ="Le Fubure, Le Havre. A Louis XV ormolu mounted boulle cartel clock, c 1750";
c[i] = 7;
d[i] = "h:  56 ¾ in (144 cm), max w: 20 in (51 cm)";
sp[i] = "";
detail[i] = "Dial: <br />The gilt bronze dial mounted with 25 white and blue enamel plaques for the minutes, hours and centre, signed Le Fubure, Le Havre, having original blued hands. <br /> <br />Movement: <br />The eight day spring-driven two train movement,striking the hours and half-hours on a bell in the upper compartment of the case.  The solid count wheel is engraved with the hours in Arabic numerals.  The back plate signed Le Febure, au Havre.  The escapement has been converted to anchor in the 19th century. <br /> <br />Case and Bracket: <br />The contra-parti Boulle case and bracked decorated with abalone and dyed blue, green and red bone marquetry. Having acanthus and C-scroll gilt bronze mounts, the bonnet top terminating in Venus flanked by dolphins";

i=78;
ic[i] = 3;
h[i] ="John Topping, Memory Master, London. A Geo II ebonized month going longcase clock, having original mirror plates to the trunk door and hood, c 1730";
c[i] = 7;
d[i] = "h:  100 ½ in (255 cm), max w:  22 ¼ in (56 cm), max d:  11 in (28 cm)";
sp[i] = "";
detail[i] = "Dial: <br />The 12 inch by 14 inch dial having seconds to the arch and strike/silent and pendulum rise and fall subsidiary dials to the sides.  The large cut out below the centre displays a simplified equation table on a large ring which rotates once per year. <br /> <br />First line:  Sun Slower – Sun Faster <br />Second line:  The equation of time shown in minutes <br />Third Line:  The months of the year with their number of days in Roman numerals <br />Fourth Line:  The day of the month <br /> <br />This equation and calendar dial is set by means of the small square adjacent to I on the chapter ring. <br /> <br />Movement: <br />The month going movement having Y-shaped plates joined by ringed pillars, with raised central section for the anchor escapement to show seconds in the arch.  Having unusual internal click work.  With hourly rack strike on bell. <br /> <br />Case: <br />The well proportioned case having ebonized pear wood to the front and rare original mirror plates to both trunk and frieze. <br /> <br />John Topping was apprenticed in 1691 to William Grimes, C. C.  He frequently signed himself Memory Master, however it is somewhat of a mystery as to why. ";

i=79;
ic[i] = 3;
h[i] ="William Scafe, London. A George II burr yew veneered and pewter strung longcase clock, c 1730";
c[i] = 7;
d[i] = "h: 99 ½ in (253 cm), max w: 22 ¼ in (56.5 cm), max d: 11 ¾ in (30 cm)";
sp[i] = "";
detail[i] = "Dial: <br />The 12 inch by 14 inch dial having seconds to the arch and strike/silent and pendulum rise and fall subsidiary dials to the sides.  The large cut out below the centre displays a simplified equation table on a large ring which rotates once per year.  <br /> <br />First line:  Sun Slower – Sun Faster <br />Second line:  The equation of time shown in minutes <br />Third Line: The months of the year with their no of days in Roman numerals <br />Fourth Line:  The day of the month <br /> <br />This equation and calendar dial is set by means of the small square adjacent to I on the chapter ring. <br /> <br />Movement: <br />The 8-day movement having Y-shaped plates joined by ringed pillars, with raised central section for the anchor escapement to show seconds in the arch.  With hourly rack strike on bell. <br /> <br />Case: <br />The finest quality burr yew veneers, strung with ebony and pewter, having original finials to the hood and re-silvered bevelled mirror plate to the trunk door. <br /> <br />William Scafe, born in Yorkshire in 1687, he moved to London and worked at the Sign of the Clock in King Street near Guildhall.  He was free of the Clock Makers Company from 1721 and was master of the company in 1749.  Britten quotes the Hon. Fairfax as  writing in 1727 of 'One William Scafe… now the most celebrated workman perhaps in London and Europe'.";


i=81;
ic[i] = 3;
h[i] ="Benjamin Broadhead, London. A Queen Anne red tortoiseshell japanned longcase clock, c 1710";
c[i] = 7;
d[i] = "h:  81 ¾ in (208 cm), w: 44 ¾ in (114 cm)";
sp[i] = "";
detail[i] = "Dial: <br />The 11 inch dial having unusual shallow arch housing the strike silent, engraved with a terrifying 'green man'.  The matted centre having finely engraved reserve, signed B. Broadhead, Londini fecit. <br /> <br />Movement: <br />The eight day movement having unusual internal rack striking, five ringed pillars, the central being latched. <br /> <br />Case: <br />The high quality tortoiseshell and gold japanned case decorated with typical chinoiserie.  The caddy to the hood restored. <br /> <br />Benjamin Broadhead was apprenticed to William Speakman 24 Aug 1702 and free 29 Sept 1709.  He was the son of Parry Broadhead of St Andrew's Hoborn , Middlesex, gentleman. It is very unusual for a gentleman's son to take a trade and he may well have reverted to being a gentleman, possibly on his father's death?  This may account to the scarcity of his clocks.  Speakman was Master of the Clockmakers Company in 1701.  The engraved reserve to the dial is strikingly similar to that of a longcase clock by Jonathan Puller, ex-Wetherfield Collection. . <br />. <br /> Ref: Old English Clocks, The Wetherfield Collection, fig. 76 & 76a, by F.J. Britten, publ. London Lawrence & Jellicoe, 1907";

i=82;
ic[i] = 4;
h[i] ="A George III carved mahogany serving table of neo-classical form, c 1775";
c[i] = 3;
sp[i] = "";
p[i] = "The Lyle family, Barrington Court Somerset, then 52 Cadogen Square from 1910";
d[i] = "w: 66 in (168 cm) d:  31 ¾ in (80.5 cm) h: 36 in (92cm)";
eh[i] = "This crisply carved table has a fluted frieze which is extravagantly constructed from cross grain timber"


i=83;
ic[i] = 6;
h[i] ="A set of six George II carved mahogany dining chairs, c 1745";
c[i] = 2;
sp[i] = "";
d[i] = "w: 21½ in (54.5 cm) d: 18 in (45.5 cm) h: 36½ in (92.5 cm)";
eh[i] = "These chairs have satisfying tightly scrolling decoration to the top rail, ear to the cabriole legs and feet."

i=84;
ic[i] = 2;
h[i] ="A George II carved mahogany console table of bold form, having a later Breche de Medici marble slab above an egg and dart and shell carved moulding, the vertically veneered frieze centred by a double Venus shell, with shell and acanthus clasps to the corners, the massive scrolling supports carved with acanthus foliage, fish scales and rings, headed by deeply carved rosettes, and terminating in hairy paw feet, c 1735"
c[i] = 3;
sp[i] = "";
d[i] = "h: 35¼ in (89.5 cm) w: 57½ in (146.5 cm) d: 31½ in (80 cm)";
eh[i] = "The plinth replaced in the 19th century. This table relates to the designs of William Jones, `The Gentleman or Builder`s Companion, 1739`. Its strength and execution of the supports also relates to a pair of carved mahogany library commodes of sarcophagus form which were at Easton Neston and are now at Sledmere, Yorkshire."


i=85;
ic[i] = 5;
h[i] ="A George III painted inverted serpentine front commode, having its original lacquered handles and decoration."
c[i] = 6;
sp[i] = "";
p[i] = "Commissioned by William Brummell, father of George (Beau) Brummell, for Donnington Grove between 1783 and 1794.";
d[i] = "w: 46½ in (118 cm) d: 22¼ in (56.5 cm) h: 35¾ in (91 cm)";
eh[i] = "An extraordinary survival, and with high quality mahogany lined drawers, this pretty commode was part of an extensive suite of decorated furniture which is tempting to think might well have influenced the young Beau Brummell's developing taste."

i=87;
ic[i] = 4;
h[i] ="An 18th century mahogany stick back saddle elbow chair. Probably American, c. 1770"
c[i] = 2;
sp[i] = "";
d[i] = "w: 26½ in (67 cm) d: 26 in (66 cm) from the wall, h: 41 in (104 cm)";
eh[i] = "In profile the extreme rake of the back on this chair works very well."

i=88;
ic[i] = 4;
h[i] ="A 19th century continental porter's chair, c. 1830"
c[i] = 2;
sp[i] = "";
d[i] = "w: 29½ in (75 cm), d: 26½ in (67cm) from the wall, h: 42½ in (108 cm)";
eh[i] = "A good scroll to the top of the back, this chair still has a fair proportion of its original leather and studs."

i=89;
ic[i] = 3;
h[i] ="A George IV scroll fronted library chair, c. 1825"
c[i] = 2;
sp[i] = "";
d[i] = "w: 27½ in (70 cm), d: 35 ½ in (90cm), h: 45 in (114 cm)";
eh[i] = "I bought this chair because it has an unusually high back. The castors are missing and need to be reinstated."

i=90;
ic[i] = 4;
h[i] ="A William IV mahogany writing table, c. 1830";
c[i] = 3;
sp[i] = "";
d[i] = "w: 63 in (160 cm), d: 30 in (76 cm), h: 28¼ in (72 cm)";
eh[i] = "Still with its original waxed cloth inset, I like this table's shallow form."

i=91;
ic[i] = 4;
h[i] ="A George IV mahogany serving table, the frieze incorporating three drawers";
c[i] = 3;
sp[i] = "";
d[i] = "w: 91  in (23 cm), d: 27 ¾  in (71 cm), h: 54 ¼ in (138 cm) max";
eh[i] = "I particularly like the massive bold shell to the centre of the back."

i=92;
ic[i] = 4;
h[i] ="A pair of Regency mahogany chests, encased in tin, c. 1820";
c[i] = 6;
sp[i] = "";
d[i] = "w: 38½ in (98 cm), d: 11½ in (29 cm), h: 26¾  in (68 cm)";
eh[i] = "These cedar lined chests have been made to house a mysterious precious collection, hence the tin. The colour of the tin goes from a bright silver in some areas to a wonderful polished dark grey.";
p[i] = "Anthony House, Cornwall";


sold[8]=1;
sold[60]=1;
sold[65]=1;
/* ¼ ½ ¾*/